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BIO

NAT GIRSBERGER is a Swiss visual artist based in Brooklyn, New York. Her most recent exhibits include her solo show at Ivy Brown Gallery in Chelsea called 'Transient Terrain,' and shows at The Living Gallery Outpost, Carrie Able Gallery, 301 Studio. Nat splits her time between visual work for clients such as Megan Poe MD for New York University and the IMAGE FLOW and her own studio time (collaging/ mixed media/ installations). Her work has appeared in the New York Times, Observer, Indiwiere, Whitehot, Artreveal and various other publications. Nat graduated from New York University's Gallatin School in visual art with honors.

Recent production design work includes UP NORTH & THE HOLDOUTS (both winners at SERIES FEST), James Franco: HORROR TIME, Tessora, CELEBRITY CRUSH, NIKOLA TAMiNDZiC, Damn Joan. Videography and photography backstage and runway at New York Fashion Week, Bridal Market, ELLE Magazine, GUSTER. 

 

education: Film and Visual Communication at New York University, Gallatin, Minor in producing at NYU Tisch.

languages: english.  german.  swiss german.  french.

programs:  avid.  indesign.  photoshop. lightroom. after effects. sketchup. flash. bridge.

 

 

 

ARTIST STATEMENT

I collaborate with my unconscious to explore deep layers of being through collage. I artistically adventures into the infinity of my psyche, breaking the structures that externally limit my inner vastness. Through collaging, the subconscious mind finds new relationships by juxtaposing what does not usually go together. The infinite possibilities of the process suit my inner world, while liberating my experience from the boundaries of rationalism. My collages challenge reality by encouraging the dialogue between ego and what is unknown to it.

My collages encapsulate the past, present and future to defy the limits of what we perceive. I use retro material that I carefully select to hand-make collages, applying an instinctive, ‘automatic’ process of selecting and arranging. This traditional, analog approach, in conjunction with using vintage imagery, allows me to understand myself as but a construct of my past experiences. Grasping how a confined reality, agreed upon by a collective unconscious, has come to exist then leads to its artistic defiance. I challenge the result of our conditioning by setting my collages in the future. Like the unconscious, this dreamlike realm of time knows no barriers of what is possible, and therefore, frequently clashes with what we selectively perceive. I attempt to find a place where I can defy gravity and explore our planet and solar system. The visual outcome is connected to the core of our truly surreal existence. I create a more satisfying way of existing as a being of the present – a present in which I am quite capable of embracing my inner multiverse.

As the transient inner world gets collapsed into an integrated form, what emerges are dream-like realms. Those realms speak to a larger existence that embraces the expansive unconscious, and the full potential of our minds and bodies. The work encourages to express their limitless imaginations, while unabashedly tapping into our mystical, ever-changing energy.


Select Clients:

  • Rabbit Bandini by James Franco

  • Dr. Megan Poe MD for NYU

  •  Guster

  • Damn Joan

  • Oliver Robins

  •  Keurig

  •  ELLE

  • Mothica

  •  Nikola Tamindzic

  •  Cooper Union

  • Mango

  •  New York Fashion Week

  •  Alvina Valenta

  •  Maty Noyes.